Wednesday, 17 February 2010

IRON BUTTERFLY - Heavy (US 1968) @256kbps & Artwork

Iron Butterfly is an American hard rock band formed in 1965. They are best known for the 17 minute magnum opus "In-A-Gadda-Da-Vida", the title track of their second album. It was this track which established them as the early champions of psychedelic rock. On the basis of the track the album went on to sell millions, but the band failed to recapture this success with later releases. Much of their later output was marred by continual break-ups, reformations and line-up changes but the latest incarnation of the band is touring and is reported to be working on a new album.

Track Listing;

1. Possession
2. Unconscious Power
3. Get out of My Life, Woman
4. Gentle as It May Seem
5. You Can't Win
6. So-Lo
7. Look for the Sun
8. Fields of Sun
9. Stamped Ideas
10. Iron Butterfly Theme

Fantastic! Highly Recommended.
Here's the Link http://www.multiupload.com/T4OCV9ORR0
Enjoy!

HURDY GURDY - Selftitled (DENMARK 1971) @256kbps & Artwork

Hurdy Gurdy arose out of the Danish group Peter Belli & the B.B. Brothers in 1967. Three of the B.B. Brothers -- guitarist Claus Bohling, drummer Jens Otzen, and English bassist Mac MacLeod, then temporarily based in Denmark -- split from Belli to form a psychedelic-hard rock-oriented trio. The band moved to England in 1968, after MacLeod had been deported. It's been reported that Donovan, a friend of MacLeod whom Mac had played with previously as a backing musician, wanted to produce a version of the band covering "Hurdy Gurdy Man," a Donovan composition. However, Donovan released his own hit version of the song, and Hurdy Gurdy didn't issue anything while MacLeod was in the group, despite doing some recordings produced by Chris White and Rod Argent of the Zombies. Two late-'60s tracks by the MacLeod lineup of Hurdy Gurdy, "Neo Camel" and "Tick Tock Man," eventually appeared on the 2003 MacLeod anthology The Incredible Musical Odyssey of the Original Hurdy Gurdy Man, and are rather loose and frenetic pieces of period guitar psychedelia.Bohling and Otzen had to go back to Denmark shortly after those recordings, owing to their inability to secure work permits. There they picked up a new bassist, and in the early 1970s recorded a self-titled album for CBS Scandinavia. The record, a routine, early-'70s hard rock offering with Hendrix-influenced guitar by Bohling.

Tracklisting;
1. Ride On
2.The Giant
3.Tell Me Your Name
4. Peacefull Open Spaces
5. Babels Tower
6. Spaceman
7. Lost in the Jungle
8. You Can Go Backwards

Bonus Tracks
9. Chain Me Down
10. Year Zero Now
11. Improv

Highly Recommended!
Here's the Link http://www.multiupload.com/K56BZ1AUG9
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THE GHOST - When Your Dead - One Second (UK 1970) @256kbps & Artwork

The obscure late-'60s British band the Ghost played a rather eccentric and anxious mixture of psychedelia, folk-rock, and progressive rock on their sole album, 1970's When You're Dead -- One Second. Formed in Birmingham, the group featured two quite different lead vocalists, the bellowing and ominous Paul Eastment (who had been in another obscure U.K. psych band, Velvet Fogg) and the folky Shirley Kent (who had previously sung on a little-known charity EP). The group broke up shortly after the release of its non-LP single "I've Got to Get to Know You" in 1970. Kent emerged three and a half decades later as a Spanish-flavored jazz singer on her independently released Spandangos CD. ~ Richie Unterberger, All Music Guide

Tracklisting;
1. When You're Dead
2. Hearts And Flowers
3. In Heaven
4. Time Is My Enemy
5. Too Late To Cry
6. For One Second
7. Night Of The Warlock
8. Indian Maid
9. My Castle Has Fallen
10. The Storm
11. Me And My Loved Ones
12. I've Got To Get To Know You

Great album! Recommended.
Here's the Link http://www.multiupload.com/DQ9Y1DWVQD

Enjoy!

Friday, 12 February 2010

FIFTY FOOT HOSE - Cauldron (US 1967) @256kbps & Artwork



Fifty Foot Hose were a psychedelic rock band that formed in San Francisco in the late 1960s. Like a few other acts of the time (most notably the United States Of America), they were consciously trying to fuse the contemporary sounds of rock with electronic instruments and avant-garde compositional ideas.
The original group comprised three core members: founder and bassist Louis "Cork" Marcheschi, guitarist David Blossom, and his wife, vocalist Nancy Blossom, augmented by Kim Kimsey (drums) and Larry Evans (guitar).
David and Nancy Blossom brought both psychedelic and jazz influences to the band. Together, the trio recorded a demo which led to a deal with Limelight, a subsidiary of Mercury Records.
They released one album, "Cauldron", in December 1967. It contained eleven songs, including "Fantasy", "Red the Sign Post" and "God Bless the Child", a Billie Holiday cover. Although an erratic work, it was intriguing for its mix of jazzy psychedelic rock tunes with fierce and primitive electronic sound effects. Highly Recommended.


Tracklisting;

1. And After

2. If Not This Time

3. Opus 777

4. The things that concern you

5. Opus 11

6. Red the sign post

7. For Paula

8. Rose

9. Fantasy

10. God bless the child

11. Cauldron

12. If not this time

13. Red the sign post

14. Fly Free

15. Desire

16. Bad Trip


Enjoy!

Thursday, 11 February 2010

EIRE APPARENT - Sunrise (UK 1969) @320kbps & Artwork

Eire Apparent were a band that deserved more success than they enjoyed in their brief three-year existence, and more recognition than they've received in the decades since. Mostly they're remembered for having had one album produced by Jimi Hendrix. The band had its roots in the Irish show band scene of the mid-'60s -- guitarist Henry McCullough had put his time in, playing with outfits such as the Sky Rockets and Gene & the Gents, based on Portstewart, Northern Ireland. By 1967, McCullough had decided to take his talent and career elsewhere and headed to Belfast and then to England, to Blackpool, where he crossed paths with Chris Stewart (bass), Ernie Graham (guitar/vocals), and Dave Lutton (drums). The latter were all ex-members of a show band called Tony & the Telstars, and with McCullough decided to form a psychedelic band that they christened the People. They made their way to London, where they struggled just to earn a decent living -- but a fortuitous gig at the UFO Club brought them to the attention of Mike Jeffery and Chas Chandler, the two managers of Jimi Hendrix. They got the band -- renamed Eire Apparent at Jeffery's insistence -- signed to Track Records, the imprint belonging to Kit Lambert and Chris Stamp (for which Hendrix also recorded), who were also the managers of the Who.
For musicians who had been living in dire poverty when they arrived in London, the whirlwind of VIP representation they'd stepped into and the opportunities suddenly presenting themselves were astonishing. And it only got better when Eire Apparent were booked onto Hendrix's next tour of the British isles, working alongside acts such as the Move and such up-and-coming bands as Pink Floyd and the Nice. The finish to 1967 was capped by the recording of their first single, "Follow Me" b/w "Here I Go Again," which was issued in January of 1968. The record never charted, however, and marked their last release on Track. Next it was off to America, supporting Hendrix, Eric Burdon & the Animals, and Soft Machine (both acts managed by Jeffery). They spent a large part of 1968 playing shows in the United States, and had one show scheduled in Canada. At that point, the group's fortunes suffered a setback when McCullough was arrested, in part due to problems with his visa, and deported to Ireland. It marked his exit from the band, as he was summarily replaced by Mick Cox, who completed the tour with the group and became a permanent member.
The following month, the reconfigured Eire Apparent resumed their run at stardom with an album. What made the record special, beyond what the four members brought to the table, was the presence of Jimi Hendrix as producer. Hendrix had previously served in a similar capacity on behalf of Cat Mother & the All Night Newsboys, but Eire Apparent attracted somewhat more attention, owing to the fact that their album received an American release through the Buddah label, which also issued their second single, "Rock 'n' Roll Band" b/w "Yes I Need Someone." Hendrix also played on both sides of the single, as well as on the Chris Stewart-authored album track "The Clown," but his involvement with their music was more complex than even these moments of direct participation. The guitarist apparently saw Eire Apparent as a vehicle for more pop-oriented sounds than he usually got to explore on his own recordings, freely mixing softer sounds with a strong psychedelic influence amid the harder sound that was the group's forte. The harder sounds of songs such as "Morning Glory" were juxtaposed with more lyrical moments, vocally and instrumentally, without ever losing sight of their basic heavy electric sound.
The results -- to which Robert Wyatt and Noel Redding also apparently contributed -- were off-putting to some who expected something different from a project related to Jimi Hendrix, and also may have arrived a little late for the psychedelic influences. The album, entitled Sunrise, was issued on the Buddah label in the United States, and thanks to Hendrix's name on it and the time they put in touring, it did sell better than some Buddah releases of the era that didn't have a hit single to drive sales or get AM radio play. Copies of the record turned up in collections and used bins from time to time from the 1970s through the 1990s (and, indeed, still sometimes show up), which is more than can be said for some Buddah LPs of the era. But sales were nowhere near what was needed to break the group properly in the U.S. (and thanks to the U.S.-only release, Sunrise became a true rarity in England). Additionally, Eire Apparent had run into serious trouble on two fronts. Their extended time touring America had left them without an audience in England, and the gigs there dried up when the bandmembers were left to their own devices (and not touring with Hendrix). Additionally, they parted company with Jeffery after a tour of Europe opening for Hendrix. Without him, Burdon, or Soft Machine to headline, however, and without a hit record, their prospects in America were now dimmed considerably. Cox left the band in early 1969 and was succeeded by Tiger Taylor, who filled the lead guitar spot for their final year together. The band finally broke up at the start of 1970 and was almost instantly forgotten.
In later years, Eire Apparent were mostly remembered as a footnote to Hendrix's career, though the members remained active throughout the ensuing decade and beyond. Ernie Graham helped to found the pub rock band Clancy, after cutting a genuinely brilliant solo album -- indeed, one of the great albums (and perhaps the greatest unknown album) of the 1970s, backed by Brinsley Schwarz. Mick Cox organized a band of his own and worked with Van Morrison, among others, while Dave Lutton passed through the lineup of Heavy Jelly, before crossing paths professionally with Marc Bolan and Chris Spedding. Chris Stewart went on to become a top session man, while Henry McCullough, following his sudden exit from the band, jumped to Spooky Tooth and then the Grease Band. He backed Joe Cocker on the With a Little Help From My Friends album, and did a lot of session work (including Donovan's Essence to Essence). He was also a member of Paul McCartney's Wings in one of its early configurations, on the Red Rose Speedway album. ~ Bruce Eder, All Music Guide



Track Listing;

1. Yes, I Need Someone
2. Got to Get Away
3. Clown
4. Mr. Guy Fawkes
5. Someone Is Sure To (Want You)
6. Rock & Roll Band
7. Morning Glory
8. Magic Carpet
9. Captive in the Sun
10. Let Me Stay
11. 1026


An excellent album! Highly Recommended.


Wednesday, 10 February 2010

DAMNATION - The Second Damnation (US 1970) @256kbps & Artwork


Damnation was the same Cleveland band previously known as the Damnation of Adam Blessing, who issued two albums on United Artists in 1969-1970. Why the name was shortened remains a mystery and has fouled up the consistency/accuracy of both Damnation and Damnation of Adam Blessing discographies ever since. Basically, however, the group's third album (Which Is the Justice, Which Is the Thief?) was credited to Damnation, not the Damnation of Adam Blessing, though it makes sense to consider both the Damnation of Adam Blessing and Damnation the same act. A highly recommended album!


Track Listing;
1.No Way
2.Death Of A Virgin
3.Driver
4.Everyone
5.Back To The River
6.Money Free
7.Ba-dup
8.New York City Woman
9. In The Morning
10. Smile
Enjoy!

THE CHURCHILLS - Selftitled (ISRAEL 1968) @256kbps & Artwork

Track Listing;
1. Open Up Your Eyes
2. Song From The Sea
3. Pictures In My Mind
4. Comics
5. When You're Gone
6. Strangulation
7. Straight People
8. Subsequent Final
9. So Alone Today
10. Debka

Bonus Tracks
11. Living Loving
12. Signs of You
13. She's A Woman
14. Sunshine Man

The eponymous 1968 album by Israel's Churchills is one of the most sought-after records in the world. While some rare records go for hundreds of dollars, an original copy of The Churchills is likely to fetch thousands. Why? Because not only is it next to impossible to find, but The Churchills is one of those rarer-than-rare records that actually lives up to its reputation. From the opening bars of the first song on Side One, "Open Your Eyes" - an explosion of ecstatic screams and fuzz, "faces, lips and teeth and eyes; diamond rings and pretty things, and arms and legs and thighs" - you know this is going to be one amazing trip.

Track after track the album continues to astonish, delivering everything from electrifying psychedelic rock to evocative pop ballads with equal degrees of skill and originality. Soulfully delivered vocals, searing fuzz guitars, spacey sound effects, exotic Eastern flourishes - the Churchills use a dazzling palate of tones and colours, stretching the primitive Tel Aviv studio technology of the day to its limits to create one of the most brilliant psychedelic albums from anywhere in the world, let alone Israel. Although there's elements of the Yardbirds, Cream, Hendrix the Doors, and the Jefferson Airplane (especially the studio trickery of After Bathing At Baxter's), the sound of the Churchills is very much their own personal vision - a distinct blend of East and West that is unmistakably from their own corner of the world.Although their album, non-LP singles and subsequent releases as Jericho Jones and Jericho have since been reissued, the story of the Churchills has never before been properly told, until now.





Here's the Link; http://sharebee.com/5dbba3c1
Enjoy!